Submissions from 2012
Charting the Colonial Backcountry: Joseph Shippen's Map of the Susquehanna River, Katherine Faull
Framing Counterspaces: Forms and Meanings of Graffiti in Berlin's Linguistic Landscape, Bastian Heinsohn
The Operatics of Cabiria (1914): Intermediality in Early Italian Cinema, Bernhard Kuhn
The Visual, the Epic, and Pasternak’s ‘Devjat’son pjatyj god’, Ludmila Lavine
Submissions from 2011
Poema of Lieutenant Schmidt’s End: Pasternak’s Dialogue with Tsvetaeva through the Prism of Genre., Ludmila Lavine
Submissions from 2010
Case and Events in Transitive Impersonals, James Lavine
Case and Events in Ukrainian Experiencer Predicates, James Lavine
Mood and a Transitivity Restriction in Lithuanian: The Case of the Inferential Evidential, James Lavine
From Lyric Indulgence to Epic Utopia: Vladimir Mayakovsky’s The Backbone Flute and War and the Universe., Ludmila Lavine
Submissions from 2005
Aleksandr Blok's The Twelve: The Transformation of Commedia dell'arte into an Epic, Ludmila Lavine
Submissions from 2004
`Faudrait-il le dire à vous, âEtranger?': enjeux intertextuels dans Vingt Ans de Nguyên Duc Giang, Susan Dixon
Submissions from 1998
Poetry, Prose, and Pushkin's Egyptian Nights, Ludmila Lavine