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Submissions from 2026

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The Spaces of Queer Childhood, Haley Beardsley

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The Strong, Brooke Corpuz

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Un-Determining the Overdetermined Body: Anorexia Nervosa and Selfhood in What I Lost by Alexandra Ballard, Maddalena (Maddy) R. Grieco

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Always Green, Ever Living, Anna Plante

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Imagined Afterlives: Anti-Black Medical Violences in Contemporary Black Arts, Katie Schadler

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One Soul, One Flesh: Incest and Turning Inwards In The Duchess of Malfi and 'Tis Pity She's a Whore, Summer Taylor

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One Soul, One Flesh: Incest and Turning Inwards In The Duchess of Malfi and 'Tis Pity She's a Whore, Summer Taylor

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"For what do you hunger?": Metaphors of Consumption and the Gothic Female Experience, Olivia G. Wychock

Submissions from 2025

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BEYOND CATHARSIS: THE EVOLUTION OF POPULAR TRAGEDY IN VIDEO GAME NARRATIVES, Nicole E. Chancey

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Once Upon Another Time: Retelling Fairy Tales & Legends with Inclusive Identities for Modern Young Adult Audiences, Hailey Drapcho

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Coast to Coast, Leah Rakhlin

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WORLDS BUILT AND BORROWED: A PARACOSMIC EXPLORATION OF THE METATEXTUAL UNCONSCIOUS, Ryleigh Michele Roberts

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Breaking the Boundaries of the Binary: Non-Normative Gender Expression and Rebellion in 19th-Century Literature, Anna Marie Wingard

Submissions from 2024

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Law and Literature in Pennsylvania: A Changing Landscape, Juliette Gaggini

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Politicizing the Past: The Exploration of Revolutionary Collectivity within Neoliberalism in Dionne Brand’s In Another Place, Not Here and Rita Indiana’s Tentacle, Siobhan Nerz

Submissions from 2023

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In the End, Sabrina A. Barner

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Swimming Lessons: Exploring and Embracing the Graphic Memoir, Sophia Donati

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Visualizing The Permanent Lie: An Examination of Dystopian Literature Using Aleksandr Solzhenitsyn’s Model, Anthony Mitchell

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Is Children's Literature Really Meant for Children? Global Political Commentary in Children's Literature, Jenny Scott

Submissions from 2021

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Existential Reactions to Modernity: An Analysis of Lovecraft's Nihilistic Cosmicism & Dostoevsky's Christian Existentialism, Olivia Maikisch

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Enter Invisible: Atavistic Dualism in Shakespeare, Donne, and Milton, Andrew Scott

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Writing the Womb, Writing the Wound: The Function of Vulnerability in Autotheory, Madison Weaver

Submissions from 2020

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Landscape, Gender, and the Politics of Belonging in Thomas Hardy’s The Woodlanders and Tess of the D’Urbervilles, Sarah Dickerson

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Disrupting An(Other): Sexuality as Political Resistance, Emma C. Downey

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Perspectives on Lynching in William Faulkner's Fiction and Nonfiction, Tabitha Fisher