Submissions from 2018
A Slant of Light : Reflections on Jack Wheatcroft, Peter Balakian, Bruce Smith, Cynthia Hogue, Shara McCallum, Dennis O'Brien, Deirdre O'Connor, and Gary Sojka
Playing Rough: Johnson and Children, Greg Clingham
Chismes, Mills Fox Edgerton
Blackout on Broadway: Affiliation and audience in In the Heights and Hamilton, Elena Machado Sáez
Bodega Sold Dreams: Middle-Class Panic and the Crossover Aesthetics of In the Heights, Elena Machado Sáez
Generation MFA: Neoliberalism and the Shifting Cultural Capital of U.S. Latinx Writers, Elena Machado Sáez
Politically ethical aesthetics : Teaching Emerson's Poetry in the Context of Diversity in the United States, Saundra Morris
British Muslim Feminisms on Stage, Meenakshi Ponnuswami
The Genealogy of Elevators: a Fable, Harold Schweizer
Feast Gently, G. C. Waldrep
Submissions from 2017
John Opie’s Portraits of Dr. Johnson, Greg Clingham
Windthrow, K. A. Hays
A Portrait of the Animal as a Young Artist: Animality, Instinct, and Cognition in Joyce’s Early Prose, John Rickard
Waiting as Resistance: Lingering, Loafing, and Whiling Away, Harold Schweizer
Submissions from 2016
The U.S. Occupation of Haiti and the Hispanic Caribbean, Rafe Dalleo
That Infinite Sphere’: Paradox, Paralepsis, and Parody in Les guérillères, Chase Gregory
Reframing the Archive: Vietnamese Refugee Narratives in the Post-9/11 Period, Mai-Linh Hong
come wishes be horses, Rebecca Meyers
Submissions from 2015
Cultural Difference in George Macartney’s "An Embassy to China 1792-1794”, Greg Clingham
Dead Zone Vertigo: A Collaboration in Poetry and Visual Art with Two Cypriot Artists, Paula Closson Buck
Shayma Interviewed by a Medical Red Cross Staff Member in Corigliano, Calabro, Harold Schweizer
The Curating Child: Runaways and Museums in Children's Fiction, Virginia Zimmerman
Submissions from 2014
"The independence so hardly won has been maintained": C.L.R. James and the U.S. Occupation of Haiti., Rafe Dalleo
F'Stein, 115-116 Radial, Jonathan Lyons
The Helvetica Story, Jonathan Lyons