Submissions from 2020
Byron Now, Ghislaine McDayter
Submissions from 2019
Anecdotes of Bishop Thomas Barnard, Greg Clingham
‘I stole his likeness’: An Unknown Drawing of Samuel Johnson and James Boswell, Greg Clingham
Johnson and Borges: Some Reflections, Greg Clingham
Johnson and China: Culture, Commerce, and the Dream of the Orient in Mid-eighteenth-century England, Greg Clingham
Lady Anne Barnard: Remnants and Renewal, Greg Clingham
Arthur Mervyn; or, Memoirs of the Year 1793, Michael J. Drexler
Contesting Slavery in the Global Market: John Brown’s Slave Life in Georgia, Michael Drexler and Stephanie Scherer
Pocket Maps and Public Poetry in the English Renaissance, Katarzyna Lecky
Astarte’s Shadow: The Iconography of Forgiveness in Byron’s Manfred, Ghislaine McDayter
Evolving Secrets: Eudora Welty and the Mystery Genre, Harriet Pollack
New Essays on Eudora Welty, Class, and Race, Harriet Pollack
The Made-Up Man, Joseph Scapellato
The Writer's Intention vs. the Work's Intention, Joseph Scapellato
Mistress, Chet'la Sebree
Eriugena's Irish Background, Alf Siewers
Excavating Children : Archaeological Imagination and Time-Slip in the Early 1900s, Virginia Zimmerman
Submissions from 2018
A Slant of Light : Reflections on Jack Wheatcroft, Peter Balakian, Bruce Smith, Cynthia Hogue, Shara McCallum, Dennis O'Brien, Deirdre O'Connor, and Gary Sojka
Playing Rough: Johnson and Children, Greg Clingham
Chismes, Mills Fox Edgerton
Blackout on Broadway: Affiliation and audience in In the Heights and Hamilton, Elena Machado Sáez
Bodega Sold Dreams: Middle-Class Panic and the Crossover Aesthetics of In the Heights, Elena Machado Sáez
Generation MFA: Neoliberalism and the Shifting Cultural Capital of U.S. Latinx Writers, Elena Machado Sáez
Politically ethical aesthetics : Teaching Emerson's Poetry in the Context of Diversity in the United States, Saundra Morris
The Genealogy of Elevators: a Fable, Harold Schweizer