Submissions from 2019
Arthur Mervyn; or, Memoirs of the Year 1793, Michael J. Drexler
Pocket Maps and Public Poetry in the English Renaissance, Katarzyna Lecky
New Essays on Eudora Welty, Class, and Race, Harriet Pollack
The Made-Up Man, Joseph Scapellato
The Writer's Intention vs. the Work's Intention, Joseph Scapellato
Mistress, Chet'la Sebree
Eriugena's Irish Background, Alf Siewers
Excavating Children : Archaeological Imagination and Time-Slip in the Early 1900s, Virginia Zimmerman
Submissions from 2018
A Slant of Light : Reflections on Jack Wheatcroft, Peter Balakian, Bruce Smith, Cynthia Hogue, Shara McCallum, Dennis O'Brien, Deirdre O'Connor, and Gary Sojka
Playing Rough: Johnson and Children, Greg Clingham
Chismes, Mills Fox Edgerton
Blackout on Broadway: Affiliation and audience in In the Heights and Hamilton, Elena Machado Sáez
Bodega Sold Dreams: Middle-Class Panic and the Crossover Aesthetics of In the Heights, Elena Machado Sáez
Generation MFA: Neoliberalism and the Shifting Cultural Capital of U.S. Latinx Writers, Elena Machado Sáez
Politically ethical aesthetics : Teaching Emerson's Poetry in the Context of Diversity in the United States, Saundra Morris
The Genealogy of Elevators: a Fable, Harold Schweizer
Feast Gently, G. C. Waldrep
Submissions from 2017
A Portrait of the Animal as a Young Artist: Animality, Instinct, and Cognition in Joyce’s Early Prose, John Rickard
Waiting as Resistance: Lingering, Loafing, and Whiling Away, Harold Schweizer
Submissions from 2016
The U.S. Occupation of Haiti and the Hispanic Caribbean, Rafe Dalleo
Reframing the Archive: Vietnamese Refugee Narratives in the Post-9/11 Period, Mai-Linh Hong
come wishes be horses, Rebecca Meyers
Glory and Honor : Orthodox Christian Resources On Marriage, Alf Siewers
Submissions from 2015
Cultural Difference in George Macartney’s "An Embassy to China 1792-1794”, Greg Clingham
Dead Zone Vertigo: A Collaboration in Poetry and Visual Art with Two Cypriot Artists, Paula Closson Buck