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Submissions from 2019

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Arthur Mervyn; or, Memoirs of the Year 1793, Michael J. Drexler

Pocket Maps and Public Poetry in the English Renaissance, Katarzyna Lecky

New Essays on Eudora Welty, Class, and Race, Harriet Pollack

The Made-Up Man, Joseph Scapellato

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The Writer's Intention vs. the Work's Intention, Joseph Scapellato

Mistress, Chet'la Sebree

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Eriugena's Irish Background, Alf Siewers

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Excavating Children : Archaeological Imagination and Time-Slip in the Early 1900s, Virginia Zimmerman

Submissions from 2018

A Slant of Light : Reflections on Jack Wheatcroft, Peter Balakian, Bruce Smith, Cynthia Hogue, Shara McCallum, Dennis O'Brien, Deirdre O'Connor, and Gary Sojka

Playing Rough: Johnson and Children, Greg Clingham

Chismes, Mills Fox Edgerton

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Blackout on Broadway: Affiliation and audience in In the Heights and Hamilton, Elena Machado Sáez

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Bodega Sold Dreams: Middle-Class Panic and the Crossover Aesthetics of In the Heights, Elena Machado Sáez

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Generation MFA: Neoliberalism and the Shifting Cultural Capital of U.S. Latinx Writers, Elena Machado Sáez

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Politically ethical aesthetics : Teaching Emerson's Poetry in the Context of Diversity in the United States, Saundra Morris

The Genealogy of Elevators: a Fable, Harold Schweizer

Feast Gently, G. C. Waldrep

Submissions from 2017

A Portrait of the Animal as a Young Artist: Animality, Instinct, and Cognition in Joyce’s Early Prose, John Rickard

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Waiting as Resistance: Lingering, Loafing, and Whiling Away, Harold Schweizer

Submissions from 2016

The U.S. Occupation of Haiti and the Hispanic Caribbean, Rafe Dalleo

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Reframing the Archive: Vietnamese Refugee Narratives in the Post-9/11 Period, Mai-Linh Hong

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come wishes be horses, Rebecca Meyers

Glory and Honor : Orthodox Christian Resources On Marriage, Alf Siewers

Submissions from 2015

Cultural Difference in George Macartney’s "An Embassy to China 1792-1794”, Greg Clingham

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Dead Zone Vertigo: A Collaboration in Poetry and Visual Art with Two Cypriot Artists, Paula Closson Buck