Fernando A. Blanco
Lemebel es un ícono del activismo queer en Chile y Latinoamérica con una obra narrativa fundada en el género de la crónica en la que se conjugan la oralidad, los lenguajes e imaginarios populares, las costumbres y ritos urbanos de las clases proletarias con el juicio histórico a la dictadura militar, la pandemia del SIDA, el blanqueamiento de la memoria de los crímenes del Estado represor, los movimientos sociales y migratorios y toda forma de exterminio e inequidad. El presente volumen recoge quince ensayos en los que se revisa la obra del escritor y performer destacando sus vínculos con el cine, la música, el arte visual y performático, su trabajo en medios y, por supuesto, su producción novelística y cronística. La primera sección, “Perfiles y testigos”, incluye ensayos de Fernando A. Blanco, Ignacio Echevarría, Jorge Fornet, Jovana Skármeta y Roberto Echavarren en los que se reconstruyen las múltiples identidades creativas del escritor. La segunda, “Crónicas y ficción”, con contribuciones de Brad Epps, Javier Guerrero, Gilda Luongo y Cristián Montes reflexiona sobre su quehacer literario, en particular en la novela y las relaciones entre género y crónica. La tercera, “Performance, cultura radial y cine” recoge contribuciones de Dieter Ingenshay, María José Contreras, Florencia San Martín, Jorge Ruffinelli, Ángeles Mateo del Pino, Daniel Party y Luis Achondo en las que se analizan el uso de materiales, lenguajes, soportes, medios y géneros no literarios.
Chris Boyatzis and Ellen N. Junn
This book is an anthology of current cutting-edge articles on child development. The book is published as part of the long-running Annual Editions series, which reaches hundreds of colleges across the US and Canada. Past editions of this particular book have been assigned at schools from Harvard to community colleges and high schools. The book contains 35 already-published articles from sources as varied as the New York Times, The Atlantic, and many other magazines or websites, as well as professional academic journals such as PLoS One. is organized around several major domains of child development: 1) Prenatal development, birth, and child cognition, language, learning, and education; 2) Social and emotional development; 3) Parenting and family issues; and 4) Culture and societal influences. Each article is accompanied by recommendations for further reading, internet resources, and critical thinking questions.
Claire Campbell, Edward MacDonald, and Brian Payne
The largest estuary in the world, the Gulf of St Lawrence is defined broadly by an ecology that stretches from the upper reaches of the St Lawrence River to the Gulf Stream, and by a web of influences that reach from the heart of the continent to northern Europe. For more than a millennium, the gulf's strategic location and rich marine resources have made it a destination and a gateway, a cockpit and a crossroads, and a highway and a home. From Vinland the Good to the novels of Lucy Maud Montgomery, the Gulf has haunted the Western imagination. A transborder collaboration between Canadian and American scholars, The Greater Gulf represents the first concerted exploration of the environmental history - marine and terrestrial - of the Gulf of St Lawrence. Contributors tell many histories of a place that has been fished, fought over, explored, and exploited. The essays' defining themes resonate in today's charged atmosphere of quickening climate change as they recount stories of resilience played against ecological fragility, resistance at odds with accommodation, considered versus reckless exploitation, and real, imagined, and imposed identities. Reconsidering perceptions about borders and the spaces between and across land and sea, The Greater Gulf draws attention to a central place and part of North Atlantic and North American history. -- publisher
Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. The essays in this volume highlight both familiar and lesser-known writers including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May Sinclair, and Mary Hutchinson. For these writers, relationships and correspondences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportunities for men. Their examples show how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the movement’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies. -- publisher
Fernando A. Blanco
Edited by Blanco Fernando and Opazo, Cristiáin. Edited volumen, conference proceedings Actores Demandas e Intersecciones. Santiago de Chile, August 2015.
Papers devoted to discuss current cultural, social and political issues in the region (Southern Cone)
Nathalie Dupont and Éric Trudel
Sixteen researchers from Quebec, the United States, Belgium, France, the United Kingdom, Switzerland and Australia are wondering here about the poetics of the list - and by extension on the enumeration, the series, litany, inventory, collection, etc. - in French and French contemporary literature.
On the program (in bulk): the list and the sciences; the list and the doubt; the list and the animal; the list and the name; list and encyclopedism; the list and the writing of oneself; the list and the story; the list and the constraint; the list and the voice; the list and the museum; the list and the ruins; the list and idiocy; the list and the Tour de France; the list and the policy; list and syntax; the list and the time; the list and the daily; the list and the comic strip; the list and the scene; the list and dada; the list and the real. -- publisher
Mills Fox Edgerton
Five plays about about life, relationships, and love.
Mills Fox Edgerton
A small private university in New England invites a young Spanish Hispanicist to spend a school year as a visiting professor. During those ten months, the protagonist embarks on a real journey of discovery in which he penetrates beyond the image of the United States offered by American films and series.
Mills Fox Edgerton
This novel, in the form of a personal diary, is based on real events and explores domestic violence in heterosexual marriage.
John P. Enyeart
Born to Slovenian peasants, Louis Adamic commanded crowds, met with FDR and Truman, and built a prolific career as an author and journalist. Behind the scenes, he played a leading role in a coalition of black intellectuals and writers, working-class militants, ethnic activists, and others that worked for a multiethnic America and against fascism.
John P. Enyeart restores Adamic's life to the narrative of American history. Dogged and energetic, Adamic championed causes that ranged from ethnic and racial equality to worker's rights to anticolonialism. Adamic defied the consensus that equated being American with Anglo-Protestant culture. Instead, he insisted newcomers and their ideas kept the American identity in a state of dynamism that pushed it from strength to strength. In time, Adamic's views put him at odds with an establishment dedicated to cold war aggression and white supremacy. He increasingly fought smear campaigns and the distortion of his views—both of which continued after his probable murder in 1951. -- publisher
Judith E. Grisel
Judith Grisel was a daily drug user and college dropout when she began to consider that her addiction might have a cure, one that she herself could perhaps discover by studying the brain. Now, after twenty-five years as a neuroscientist, she shares what she and other scientists have learned about addiction, enriched by captivating glimpses of her personal journey. In Never Enough, Grisel reveals the unfortunate bottom line of all regular drug use: there is no such thing as a free lunch. All drugs act on the brain in a way that diminishes their enjoyable effects and creates unpleasant ones with repeated use. Yet they have their appeal, and Grisel draws on anecdotes both comic and tragic from her own days of using as she limns the science behind the love of various drugs, from marijuana to alcohol, opiates to psychedelics, speed to spice. With more than one in five people over the age of fourteen addicted, drug abuse has been called the most formidable health problem worldwide, and Grisel delves with compassion into the science of this scourge. She points to what is different about the brains of addicts even before they first pick up a drink or drug, highlights the changes that take place in the brain and behavior as a result of chronic using, and shares the surprising hidden gifts of personality that addiction can expose. She describes what drove her to addiction, what helped her recover, and her belief that a “cure” for addiction will not be found in our individual brains but in the way we interact with our communities. Set apart by its color, candor, and bell-clear writing, Never Enough is a revelatory look at the roles drugs play in all of our lives and offers crucial new insight into how we can solve the epidemic of abuse. -- publisher
Nicholas R. Jones
Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue.
Focusing on Spanish Golden Age theater and performative poetry from authors such as Calderón de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by literary critics and linguists, that white appropriations and representations of habla de negros language are “racist buffoonery” or stereotype. Instead, Jones shows black characters who laugh, sing, and shout, ultimately combating the violent desire of white supremacy. By placing early modern Iberia in conversation with discourses on African diaspora studies, Jones showcases how black Africans and their descendants who built communities in early modern Spain were rendered legible in performative literary texts.
Accessibly written and theoretically sophisticated, Jones’s groundbreaking study elucidates the ways that habla de negros animated black Africans’ agency, empowered their resistance, and highlighted their African cultural retentions. This must-read book on identity building, performance, and race will captivate audiences across disciplines. -- publisher
Katarzyna Lecky explores how early modern British poets paid by the state adapted inclusive modes of nationhood charted by inexpensive, small-format maps. She explores chapbooks ('cheapbooks') by Edmund Spenser, Samuel Daniel, Ben Jonson, William Davenant, and John Milton alongside the portable cartography circulating in the same retail print industry. Domestic pocket maps were designed for heavy use by a broad readership that included those on the fringes of literacy. The era's de facto laureates all banked their success as writers appealing to this burgeoning market share by drawing the nation as the property of the commonwealth rather than the Crown. This book investigates the accessible world of small-format cartography as it emerges in the texts of the poets raised in the expansive public sphere in which pocket maps flourished. It works at the intersections of space, place, and national identity to reveal the geographical imaginary shaping the flourishing business of cheap print. Its placement of poetic economies within mainstream systems of trade also demonstrates how cartography and poetry worked together to mobilize average consumers as political agents. This everyday form of geographic poiesis was also a strong platform for poets writing for monarchs and magistrates when their visions of the nation ran counter to the interests of the government. -- publisher
Stacy A. Mastrolia, D. Larry Crumbley, Christine Betts, and Robert Sarikas
Accosting the Golden Spire, Fourth Edition mixes financial fraud, crime, ethics, and accounting practice together to provide a better way of learning the accounting process. Featuring a sleuth who handles balance sheets and income statements the way most detectives handle guns, Lenny Cramer and his humorous sidekick put accounting and business concepts into real-life context.
Dr. Cramer, a professor at the Wharton School, operates a small forensic accounting firm. He teaches, testifies before Congress, and appears as an expert witness in a court battle. But the real action occurs when he investigates financial fraud in a friend’s jade shop. Using his forensic skills, he uncovers a plot to steal treasures from a remote Asian country and almost gets himself killed trying to stop the heist.
Golden Spire is an educational novel designed as a supplement to financial accounting courses and professional ethics seminars at either the undergraduate or graduate level. It has been used successfully near the end of principles of accounting, at the beginning of intermediate accounting, and as basis for the discussion of professional codes of conduct in an accounting ethics course. The supplement would also be ideal for an MBA program which has a light coverage of accounting, or in CPA firms’ in-house training programs as an enrichment exercise.
Classroom tests of early drafts of this third edition and the previous two published editions have demonstrated repeatedly that students enjoy reading the instructional thriller and learn the accounting concepts more readily than through traditional texts. -- publisher
Integrating Multiculturalism and Intersectionality Into the Psychology Curriculum: Strategies for Instructors
Jasmine Mena and Kathryn Quina
This comprehensive book provides psychology instructors with practical guidance for incorporating multicultural topics into their courses. The contributors are experienced instructors who recommend effective teaching strategies, classroom activities, and assignments for creating inclusive classrooms that expand students’ worldviews. Chapters focus on sociocultural factors including gender, ethnicity, religious beliefs, sexual orientation, and socioeconomic and ability status. The authors take an intersectional approach, exploring how these factors overlap to influence human psychology. Guidelines for core psychology courses are also provided.
Joseph L. Murray and Jeffrey Jensen Arnett
This important book introduces Arnett’s emerging adulthood theory to scholars and practitioners in higher education and student affairs, illuminating how recent social, cultural, and economic changes have altered the pathway to adulthood. Chapters in this edited collection explore how this theory fits alongside current student development theory, the implications for how college students learn and develop, and how emerging adulthood theory is uniquely suited to address challenges facing higher education today. Emerging Adulthood and Higher Education provides important recommendations for administrators, counselors, and student affairs personnel to provide effective programs and services to facilitate their emerging adults’ journeys through this formative stage of life. -- p. [i]
Poetry. In THE CUPPED FIELD, Deirdre O'Connor keenly observes both the commonplace and the unusual, finding disturbing and transcendental aspects in either. O'Connor delights with her insight, her power of metaphor, her lyrical voice, and the range and interconnectivity of her subjects in this winner of the 2018 Able Muse Book Award. Surprises abound in this collection of free and subtly formal verse.
"Reading Deirdre O'Connor's poems can feel like watching a sunset from a darkening forest where you are not quite sure if you are lost. There is that kind of sublime in them: an intimate, luminous lyric voice acknowledging a world in which we can never be sure we are oriented as we think we are. Written with great compassion, precision, and nuance, these gorgeously made poems face into the heartbreaks of time and loss, of selves and ex-selves. They loosen vision from its nostalgias, and 'shake / the cobbled order of ground, / so silence [can] be heard / clearly again.'"--Mary Szybist
"THE CUPPED FIELD shares with us the experience of loss, while also reminding us of the anniversaries we might celebrate of the days when those we love did not die. Here is a poet who knows that the mind is complex, a map of many countries, in some of which people are starving. The poet tells us that the mind resides in the brain, which is held in the skull, 'the darkest place in the body,' yet it is 'buoyant inside, / thinking it swims / in regions beyond itself.'"--Marilyn Nelson
"THE CUPPED FIELD is a highly accomplished, powerful collection, one in which poem after poem astonishes with its clarity of language, thought, and feeling. I am in awe of this poet for many reasons but especially the way she charts a direct line between the mind that takes in the world, in all its beauty and tragedy, and the ethical voice that speaks out of that witness."--Shara McCallum
"These are not just good poems. They are spells. How is she able to do it? Perhaps because she knows that loneliness, for a lyric poet, is not just a state of being; it comes with a purpose. What is that purpose? To hear among 'mind's countries' the music. What kind of music? That of mystery. Deirdre O'Connor is an exquisite lyric poet."--Ilya Kaminsky
The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve critics changed the conversation on Welty’s fiction and photography by mining and deciphering the complexity of her responses to the Jim Crow South. The thirteen diverse voices in New Essays on Eudora Welty, Class, and Race deepen, reflect on, and respond to those seminal discussions. These essays freshly consider such topics as Welty’s uses of African American signifying in her short stories and her attention to public street performances interacting with Jim Crow rules in her unpublished photographs. Contributors discuss her adaptations of gothic plots, haunted houses, Civil War stories, and film noir. And they frame Welty’s work with such subjects as Bob Dylan’s songwriting, the idea and history of the orphan in America, and standup comedy. They compare her handling of whiteness and race to other works by such contemporary writers as William Faulkner, Richard Wright, Toni Morrison, Chester Himes, and Alice Walker. Discussions of race and class here also bring her masterwork The Golden Apples and her novel Losing Battles, underrepresented in earlier conversations, into new focus.
Moreover, as a group these essays provide insight into Welty as an innovative craftswoman and modernist technician, busily altering literary form with her frequent, pointed makeovers of familiar story patterns, plots, and genres. -- publisher
Alexander Riley and Alf Siewers
World-renowned scholars of Bolshevism and world communism analyze the human costs of the Bolshevik Revolution, its contribution to the spread of totalitarianism, and the responses it inspired among American and Western intellectuals. Together, their essays constitute a profound refusal of the poesy of totalitarianism that is based on sober research and detailed analysis of the limits of utopian politics and the dangers of cruel ideologies based in the cosmetic aesthetic of moral perfectionism and lyric intoxication. This study provides an accurate and succinct depiction of the nature of Bolshevism and its consequences in light of several decades of research, including former Soviet archival materials and American intelligence such as the Venona file. -- publisher
Stanley had known it was a mistake to accept his uncle Lech’s offer to apartment-sit in Prague―he’d known it was one of Lech’s proposals, a thinly veiled setup for some invasive, potentially dangerous performance art project. But whatever Lech had planned for Stanley, it would get him to Prague and maybe offer a chance to make things right with T after his failed attempt to propose.
Stanley can take it. He can ignore their hijinks, resist being drafted into their evolving, darkening script. As the operation unfolds it becomes clear there’s more to this performance than he expected; they know more about Stanley’s state of mind than he knows himself. He may be able to step over chalk outlines in the hallway, may be able to turn away from the women acting as his mother or the men performing as his father, but when a man made up to look like Stanley begins to play out his most devastating memory, he won’t be able to stand outside this imitation of his life any longer.
Immediately and wholly immersive, Joseph Scapellato’s debut novel, The Made-Up Man, is a hilarious examination of art’s role in self-knowledge, a sinister send-up of self-deception, and a big-hearted investigation into the cast of characters necessary to help us finally meet ourselves. -- publisher site
Microeconomic Principles and Problems offers a comprehensive introduction to all major perspectives in modern economics, including mainstream and heterodox approaches. Through providing multiple views of markets and how they work, it will leave readers better able to understand and analyze the complex behaviors of consumers, firms, and government officials, as well as the likely impact of a variety of economic events and policies.
Most principles of microeconomics textbooks cover only mainstream economics, ignoring rich heterodox ideas. They also lack material on the great economists, including the important ideas of Adam Smith, Karl Marx, Thorstein Veblen, John Maynard Keynes and Friedrich Hayek. Mainstream books neglect the kind of historical analysis that is crucial to understanding trends that help us predict the future. Moreover, they focus on abstract models more than existing economic realities. This engaging book addresses these inadequacies. Including explicit coverage of the major heterodox schools of thought, it allows the reader to choose which ideas they find most compelling in explaining modern economic realities.
Written in an engaging style focused on real world examples, this ground-breaking book brings economics to life. It offers the most contemporary and complete package for any pluralistic microeconomics class. -- publisher
In order to fully understand the evolution and future growth of economic systems, we must draw on the lessons of economic history. The 2008 Financial Crisis, for example, mirrored past economic meltdowns with uncanny accuracy - just like the Great Depression of the 1930s and the Loan Crisis of the 1980s, it featured deregulated lenders taking incredible risks with other people's money. Historical analysis is crucial to understanding trends and patterns that can help us predict the future. This text presents a ground-breaking, pluralistic introduction to economic history and the history of economic thought. Tracing the development of economic systems and economic thought, the text introduces students to the story from ancient times to contemporary capitalism, as well as its critics. Focusing in particular on Smith, Marx, Veblen and Keynes, the text encourages students to consider which ideas and systems are still relevant in the modern world. This book can be used as a standalone text for relevant classes or as a supplement in any principles course. The Evolution of Economic Ideas and Systems: A Pluralist Introduction can be used as a standalone text for relevant classes or as a supplement on any principles course. -- publisher site
This book of poems presents a cross-generational conversation between Sally Hemings and the contemporary narrator about what it means to be a black woman in their respective landscapes, while at the same time demonstrating how little the ways in which we talk about black women and black female experiences have changed in more than two hundred years. In these poems, the speakers engage with historical texts, art, literature, and popular culture, while never allowing us to lose sight of their location within their own settings, the twenty-first century and the antebellum South. With an intentionally fraught title, Mistress not only addresses the ways in which that word is perhaps inappropriate to define Hemings, but also about how we tend to oversimplify the ways in which we see women. The title is investigated through a series of poems, in which the speakers contemplate the various definitions of “mistress”: extramarital partner, skilled individual, school teacher, authority figure, head of household, etc. In this way, the collection asks readers to complicate their understandings of both the word “mistress” and of black women. This collection seeks to resurrect Hemings from the limited historical narrative she’s often provided, while also bucking up against the limited ways in which black women are currently represented in popular culture. Through a series of poems with “mistress” in the title, the book looks at how narrowly we use the word, almost exclusively as extramarital partner, but how the word’s different definitions are related to power and strength. When we strip the term of its positive connotations, it mirrors the way that we strip Hemings of the agency she had over her life and the lives of her children. -- publisher
Jennifer M. Silva
The economy has been brutal to American workers for several decades. The chance to give one's children a better life than one's own -- the promise at the heart of the American Dream -- is withering away. While onlookers assume those suffering in marginalized working-class communities will instinctively rise up, the 2016 election threw into sharp relief how little we know about how the working-class translate their grievances into politics.
In We're Still Here, Jennifer M. Silva tells a deep, multi-generational story of pain, place, and politics that will endure long after the Trump administration. Drawing on over 100 interviews with black, white, and Latino working-class residents of a declining coal town in Pennsylvania, Silva reveals how the decline of the American Dream is lived and felt. The routines and rhythms of traditional working-class life such as manual labor, unions, marriage, church, and social clubs have diminished. In their place, she argues, individualized strategies for coping with pain, and finding personal redemption, have themselves become sources of political stimulus and reaction among the working class. Understanding how generations of Democratic voters come to reject the social safety net and often politics altogether requires moving beyond simple partisanship into a maze of addiction, joblessness, family disruption, violence, and trauma. Instead, Silva argues that we need to uncover the relationships, loyalties, longings, and moral visions that underlie and generate the civic and political disengagement of working-class people.
We're Still Here provides powerful, on the ground evidence of the remaking of working-class identity and politics that will spark new tensions but also open up the possibility for shifting alliances and new possibilities. -- publisher
Coal Region Field Station
Health figures centrally in late twentieth-century environmental activism. There are many competing claims about the health of ecosystems, the health of the planet, and the health of humans, yet there is little agreement among the likes of D.C. lobbyists, grassroots organizers, eco-anarchist collectives, and science-based advocacy organizations about whose health matters most, or what health even means. In this book, Jennifer Thomson untangles the complex web of political, social, and intellectual developments that gave rise to the multiplicity of claims and concerns about environmental health.-- publisher
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