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Submissions from 2024

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Metafiction, Lexical Ostentation, and Censorship in Umezaki Haruo’s "B-tō fūbutsushi", Erik R. Lofgren

Submissions from 2023

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Digital Prosopography:Exploring Historical Chinese Networks with Computational Technologies, Song Chen

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Patterns of Integration: A Network Perspective on Popular Religious Connections in China’s Lower Yangzi, 1150–1350, Song Chen

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Memories and Places in Twentieth-Century Suzhou Tanci, Yunjing Xu

Submissions from 2021

Godzilla and Rodin's "The Gates of Hell", Erik R. Lofgren

Submissions from 2020

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Writing for Local Government Schools: Authors and Themes in Song-dynasty School Inscriptions, Song Chen

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Recovery versus Reversion: The Implications of Multiple Signifieds in Ooka Shohei’s Fires on the Plain, Erik R. Lofgren

Lens on China: Intermediate and Advanced Readings on Film for Learning Chinese, Xi Tian and Jing Wang

Submissions from 2019

Three Poems by Umezaki Haruo, Erik R. Lofgren

Submissions from 2018

When I Was a Wolf, Terayama, Shūji (author), Elizabeth Armstrong

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Four Poems in Diverse Styles by Natsume Sōseki, Erik R. Lofgren

Submissions from 2017

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The State, the Gentry, and Local Institutions: the Song Dynasty from a Longue Durée Perspective, Song Chen

To Battle, Erik R. Lofgren

Submissions from 2016

Adapting Female Agency: Rape in The Outrage and Rashōmon, Erik R. Lofgren

Submissions from 2015

The Interstitial Feminine and Male Dominance in Rashōmon, Erik R. Lofgren

Submissions from 2013

Untitled (2 October 1910), Untitled (6 October 1910), and Untitled (7 October 1910) by Natsume Sōseki, Erik R. Lofgren

Submissions from 2004

Ideological Transformation: Reading Cannibalism in "Fires on the Plain", Erik R. Lofgren

Submissions from 2003

Christianity Excised: Ichikawa Kon’s "Fires on the Plain", Erik R. Lofgren

Submissions from 2002

Supplementing Life: Death in Furui Yoshikichi's "Tani", Erik R. Lofgren

Submissions from 2000

Democratizing Illnesses: Umezaki Haruo, Censorship, and Subversion, Erik R. Lofgren