Submissions from 2024
Metafiction, Lexical Ostentation, and Censorship in Umezaki Haruo’s "B-tō fūbutsushi", Erik R. Lofgren
Submissions from 2023
Digital Prosopography:Exploring Historical Chinese Networks with Computational Technologies, Song Chen
Memories and Places in Twentieth-Century Suzhou Tanci, Yunjing Xu
Submissions from 2021
Godzilla and Rodin's "The Gates of Hell", Erik R. Lofgren
Submissions from 2020
Writing for Local Government Schools: Authors and Themes in Song-dynasty School Inscriptions, Song Chen
Recovery versus Reversion: The Implications of Multiple Signifieds in Ooka Shohei’s Fires on the Plain, Erik R. Lofgren
Lens on China: Intermediate and Advanced Readings on Film for Learning Chinese, Xi Tian and Jing Wang
Submissions from 2019
Three Poems by Umezaki Haruo, Erik R. Lofgren
Submissions from 2018
When I Was a Wolf, Terayama, Shūji (author), Elizabeth Armstrong
Four Poems in Diverse Styles by Natsume Sōseki, Erik R. Lofgren
Submissions from 2017
The State, the Gentry, and Local Institutions: the Song Dynasty from a Longue Durée Perspective, Song Chen
To Battle, Erik R. Lofgren
Submissions from 2016
Adapting Female Agency: Rape in The Outrage and Rashōmon, Erik R. Lofgren
Submissions from 2015
The Interstitial Feminine and Male Dominance in Rashōmon, Erik R. Lofgren
Submissions from 2013
Untitled (2 October 1910), Untitled (6 October 1910), and Untitled (7 October 1910) by Natsume Sōseki, Erik R. Lofgren
Submissions from 2004
Ideological Transformation: Reading Cannibalism in "Fires on the Plain", Erik R. Lofgren
Submissions from 2003
Christianity Excised: Ichikawa Kon’s "Fires on the Plain", Erik R. Lofgren
Submissions from 2002
Supplementing Life: Death in Furui Yoshikichi's "Tani", Erik R. Lofgren
Submissions from 2000
Democratizing Illnesses: Umezaki Haruo, Censorship, and Subversion, Erik R. Lofgren