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Publication Date
2022
Description
Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante’s Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante’s work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante’s influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann’s novels, DiMassa asserts, is the Romantics’ Dantean project ultimately demythologized.
Keywords
Dante Alighieri, Goethe, romanticism, myth, mythology, German idealism, Novalis, Schelling, The Divine Comedy, Gerhart Hauptmann, Rudolf Borchardt, Stefan George, Thomas Mann, romantic, neo-romantic, Friedrich Schlegel, August Wilhelm Schlegel, Commedia, Shakespeare, fascism, Nazism
Rights
Copyright © 2022 by Daniel DiMassa All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. Please contact Bucknell University Press, Hildreth-Mirza Hall, Bucknell University, Lewisburg, PA 17837-2005. The only exception to this prohibition is “fair use” as defined by U.S. copyright law.
Type
text and 6 b&w images; 228 pages
ISBN
9781684484225