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1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors.
First published in 1994, 1650-1850 is currently in its 24th volume.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
18th Century Studies, Art, Music, and Architecture, Religion, Literary Studies, Philosophy, Critical, and Social Theory, Aesthetics, Religion
This collection copyright © 2019 by Bucknell University Press. Individual chapters copyright © 2019 in the names of their authors. All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. The only exception to this prohibition is “fair use” as defined by U.S. copyright law. Please contact Hildreth-Mirza Hall, Bucknell University, Lewisburg, PA 17837-2005.
text; 460 pages
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