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Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
18th Century Studies, History: World, Philosophy, Critical, and Social Theory, Literary Studies, Cultural Studies, German
Copyright © 2019 by Seán M. Williams All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. The only exception to this prohibition is “fair use” as defined by U.S. copyright law. Please contact Hildreth-Mirza Hall, Bucknell University, Lewisburg, PA 17837-2005.
text; 278 pages
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